(Experimental, Dancehall, Dub, Downtempo, Reggae) [WEB] Kiki Hitomi - Karma No Kusari - 2016, FLAC (tracks), lossless скачать торрент

Лог проверки качества

CUE Corrector v. 8.2.1 / b. 693 (Sep. 23, 2016)————————————————————————————————————————————————————————————————————————Sei A / Space In Your Mind
Folder: Sei A - Space In Your Mind [Aus Music (AUSCD006D)] - 2016, FLACAudio files: 01 - Always.flac [04:47.10; FLAC • 780 kbps • 16 bit \ 44100 Hz • stereo; 26,72 MB (28 020 636 bytes)] 02 - Into The Light.flac [03:33.12; FLAC • 723 kbps • 16 bit \ 44100 Hz • stereo; 18,38 MB (19 277 463 bytes)] 03 - Space In Your Mind.flac [04:34.57; FLAC • 828 kbps • 16 bit \ 44100 Hz • stereo; 27,14 MB (28 463 418 bytes)] 04 - Kalstar.flac [05:22.56; FLAC • 849 kbps • 16 bit \ 44100 Hz • stereo; 32,69 MB (34 275 083 bytes)] 05 - Linear.flac [06:55.26; FLAC • 802 kbps • 16 bit \ 44100 Hz • stereo; 39,75 MB (41 679 206 bytes)] 06 - Everytime.flac [03:48.48; FLAC • 771 kbps • 16 bit \ 44100 Hz • stereo; 21,02 MB (22 036 093 bytes)] 07 - Morning Soldier.flac [03:37.33; FLAC • 925 kbps • 16 bit \ 44100 Hz • stereo; 23,98 MB (25 148 970 bytes)] 08 - Ancestors.flac [06:37.06; FLAC • 822 kbps • 16 bit \ 44100 Hz • stereo; 38,95 MB (40 844 521 bytes)] 09 - Tides.flac [06:31.26; FLAC • 722 kbps • 16 bit \ 44100 Hz • stereo; 33,71 MB (35 344 431 bytes)] 10 - Exit.flac [04:42.41; FLAC • 603 kbps • 16 bit \ 44100 Hz • stereo; 20,33 MB (21 322 333 bytes)] 11 - Trails Of Gold.flac [04:29.42; FLAC • 769 kbps • 16 bit \ 44100 Hz • stereo; 24,74 MB (25 943 328 bytes)]
Accuracy: -m0
File 01 - Always - 99% CDDA [04:47.10]
Detected average hi-boundary frequency : 2.009948e+004 Hz Detected average lo-boundary frequency : 1.224853e+004 Hz Detected average hi-cut frequency : 2.075742e+004 Hz Detected average lo-cut frequency : 1.103164e+004 Hz Maximum probablis boundary frequency : 2.189100e+004 Hz Coefficient of nonlinearity of a phase : 3.020935e-001 First order smothness : 3.492885e-001 Second order smothness : 7.419146e-001
File 02 - Into The Light - 99% CDDA [03:33.12]
Detected average hi-boundary frequency : 2.021809e+004 Hz Detected average lo-boundary frequency : 1.326789e+004 Hz Detected average hi-cut frequency : 2.041256e+004 Hz Detected average lo-cut frequency : 1.009722e+004 Hz Maximum probablis boundary frequency : 2.189100e+004 Hz Coefficient of nonlinearity of a phase : 1.364531e+000 First order smothness : 3.337691e-001 Second order smothness : 5.603486e-001
File 03 - Space In Your Mind - 100% CDDA [04:34.57]
Detected average hi-boundary frequency : 2.002388e+004 Hz Detected average lo-boundary frequency : 1.182570e+004 Hz Detected average hi-cut frequency : 2.124479e+004 Hz Detected average lo-cut frequency : 7.543112e+003 Hz Maximum probablis boundary frequency : 2.189100e+004 Hz Coefficient of nonlinearity of a phase : 1.398975e+000 First order smothness : 3.284894e-001 Second order smothness : 5.484961e-001
File 04 - Kalstar - 100% CDDA [05:22.56]
Detected average hi-boundary frequency : 2.039335e+004 Hz Detected average lo-boundary frequency : 1.212651e+004 Hz Detected average hi-cut frequency : 2.111489e+004 Hz Detected average lo-cut frequency : 1.446160e+004 Hz Maximum probablis boundary frequency : 2.189100e+004 Hz Coefficient of nonlinearity of a phase : 1.232644e-001 First order smothness : 5.833094e-001 Second order smothness : 6.250360e-001
File 05 - Linear - 100% CDDA [06:55.26]
Detected average hi-boundary frequency : 2.020323e+004 Hz Detected average lo-boundary frequency : 1.315783e+004 Hz Detected average hi-cut frequency : 2.017904e+004 Hz Detected average lo-cut frequency : 1.222498e+004 Hz Maximum probablis boundary frequency : 2.189100e+004 Hz Coefficient of nonlinearity of a phase : 3.151828e-001 First order smothness : 3.249106e-001 Second order smothness : 4.966458e-001
File 06 - Everytime - 100% CDDA [03:48.48]
Detected average hi-boundary frequency : 2.023220e+004 Hz Detected average lo-boundary frequency : 1.338276e+004 Hz Detected average hi-cut frequency : 2.043359e+004 Hz Detected average lo-cut frequency : 1.240960e+004 Hz Maximum probablis boundary frequency : 2.189100e+004 Hz Coefficient of nonlinearity of a phase : 3.891346e-001 First order smothness : 4.431357e-001 Second order smothness : 6.043867e-001
File 07 - Morning Soldier - 87% CDDA [03:37.33]
Detected average hi-boundary frequency : 2.031078e+004 Hz Detected average lo-boundary frequency : 1.327417e+004 Hz Detected average hi-cut frequency : 2.071670e+004 Hz Detected average lo-cut frequency : 1.637795e+004 Hz Maximum probablis boundary frequency : 2.189100e+004 Hz Coefficient of nonlinearity of a phase : 2.597903e-001 First order smothness : 3.695002e-001 Second order smothness : 8.274242e-001
File 08 - Ancestors - unknown [06:37.06]
Detected average hi-boundary frequency : 2.145058e+004 Hz Detected average lo-boundary frequency : 1.890676e+004 Hz Detected average hi-cut frequency : 2.168560e+004 Hz Detected average lo-cut frequency : 2.076580e+004 Hz Maximum probablis boundary frequency : 2.189100e+004 Hz Coefficient of nonlinearity of a phase : 7.089906e-001 First order smothness : 7.308232e-001 Second order smothness : 8.956969e-001
File 09 - Tides - 86% CDDA [06:31.26]
Detected average hi-boundary frequency : 2.028289e+004 Hz Detected average lo-boundary frequency : 1.279115e+004 Hz Detected average hi-cut frequency : 2.028108e+004 Hz Detected average lo-cut frequency : 6.935264e+003 Hz Maximum probablis boundary frequency : 2.189100e+004 Hz Coefficient of nonlinearity of a phase : 1.008764e+000 First order smothness : 4.027053e-001 Second order smothness : 6.231609e-001
File 10 - Exit - 54% CDDA [04:42.41]
Detected average hi-boundary frequency : 2.033111e+004 Hz Detected average lo-boundary frequency : 1.278641e+004 Hz Detected average hi-cut frequency : 1.965443e+004 Hz Detected average lo-cut frequency : 6.050959e+003 Hz Maximum probablis boundary frequency : 2.189100e+004 Hz Coefficient of nonlinearity of a phase : 2.012073e+000 First order smothness : 3.754109e-001 Second order smothness : 5.818540e-001
File 11 - Trails Of Gold - 100% CDDA [04:29.42]
Detected average hi-boundary frequency : 2.025659e+004 Hz Detected average lo-boundary frequency : 1.337480e+004 Hz Detected average hi-cut frequency : 2.012837e+004 Hz Detected average lo-cut frequency : 1.007052e+004 Hz Maximum probablis boundary frequency : 2.189100e+004 Hz Coefficient of nonlinearity of a phase : 4.860391e-001 First order smothness : 3.492938e-001 Second order smothness : 5.845677e-001
————— Summary: —————These tracks looks like CDDA with probability 100%.————————————————————————————————————————————————————————————————————————
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved.
Time elapsed: 3 m 41 sLog created at September 28, 2016 15:59:18
=== B6652907B1F9C81D6E4E859074BA65714EE67A1E35B5EDF356EAEADFC93C2D10 ===

Скриншот спектра частот

Об альбоме (сборнике)

Kiki Hitomi is best known as part of King Midas Sound, having lent her feathery presence to tracks on Waiting For You… and 2013's Aroo. The Osaka native has also taken center stage alongside singer Roger Robinson, proving to be a powerful frontwoman on Without You's "Tears" and Edition 1's "On My Mind" and "We Walk Together." But Hitomi's colourful, kookie personality—which was at the forefront of her Dokkebi Q project with Japanese producer Gorgonn—took a backseat in King Midas Sound. Her debut solo album, Karma No Kusari, feels closer to Dokkebi Q's Hardcore Cherry Bon Bon than anything she's done since. This time, though, the music is even weirder and more wonderful.
Karma No Kusari was written with Jahtari label head Jan Gleichmar (AKA Disrupt), whose style of 8-bit dub couldn't be better suited to Hitomi's warped takes on reggae and dancehall. The Game Boy sounds are everywhere, most notably on "Galaxy," which riffs on Stéphane Picq's music for the French video game Dune. Elsewhere, the digital bleeps and bloops form part of the album's wider enka-reggae sound, coming together best on "Yume No Hana." Another highlight is "Pink No Kimono," a Disrupt version of an enka instrumental written by Masaaki Hirao for the 1973 film Lady Snowblood. Here, Gleichmar weaves comically spooky organs, vintage synths and twinkly anime FX into Hitomi's melancholic pop, creating one of Karma No Kusari's most endearing tracks.
"Nen Nen Korori" features a spoken word piece from The Space Ape, written for Hitomi before he passed away. Like "Samurai Spoon," the track is delicate and not unlike a lullaby—made for children but with a dark premise. "Yellow Story" does a similar thing, delivering its racially charged message in Hitomi's cutesy voice. That one's a standout of the album, with a grungy bassline and a lick of punk spirit in its digi-dub.
Karma No Kusari is a criss-crossing, kaleidoscopic clash of Japanese pop culture and soundsystem skank from Jamaica via London (where Hitomi used to live). Everything has been made with hardware and given a retro computer aesthetic, culminating in a record that shouldn't sound as seamless as it does. Sonically rich, bizarre yet accessible, Karma No Kusari feels like the most personal record of Hitomi's career.